The poor image is a copy in motion… an itinerant image distributed for free… compressed, reproduced, ripped, remixed…” Hito Steyerl, In Defense of the Poor Image

What does it mean for a painterly image to be both itinerant and a speculative body? This question present a kind of sensibility for making painterly images that takes into account materiality, objecthood and process while thinking about ideas of home belongong, loss, memory and identity politics.